Faculty & Staff

Eduardo Sola

Eduardo Sola

Assistant Professor, Music
(403) 782-3381  x 4072
Office location: West Hall
eduardosola@burmanu.ca

Education

MA Musicology & Music Theory, University of Toronto (2015)
BMus (hons), Baroque Violin Performance, Koninklijk Conservatorium Den Haag (2012)
BMus/BA, Violin Performance, Parana Stat University - EMBAP (2009)

Areas of Expertise

Historical and Systematic Musicology
Violin Performance
Music Theory
Music Cognition
Music Education
Curriculum Theory

Biography

Eduardo Sola is Assistant Professor in the Music Department at Burman University. He works as a performer extensively throughout Europe, Asia, and the Americas in concerts, projects, and recordings. He has performed alongside renowned artists such as Sigiswald Kuijken, Richard Egarr, Sebastian Marq, Barthold Kuijken, and Philippe Pierlot. He studied baroque violin with Ryo Terakado (Belgium/Holland) and modern violin with Paulo Torres (Brazil/USA). He is a former member of two professional orchestras: Paraná State Symphony Orchestra and PUC-PR Chamber Orchestra. His research interests, though wide in range, currently favour topics within education, music education and systematic musicology, such as curricular inclusivity, music cognition, and the phenomenology of music perception. He holds an increasing record of scholarly publications and appears internationally as speaker in research conferences.

Current Research or Professional Activities

Multisensory connections and the roots of music synesthesia in the Enlightenment.

Developmental synesthesia and concurrent incongruence in early stages of musical education.

Multisensory learning; teaching to different senses; Curriculum inclusivity: flexibility and adaptability.

 

Selected Peer-Reviewed Publications

Sola Chagas Lima, Eduardo. "A importância de noções harmônico-estruturais e resolução de baixo-contínuo aplicadas á peformance da sonata BWV 1001, de J. S. Bach, para violino solo." Anais do IV Simposio de Pesquisa em Música da UFPR. Curitiba: Editora do Departamento DeArtes da Universidade Federal do Parana, 2007. (ISBN: 978-85-.98826-13-4)

Sola Chagas Lima, Eduardo.  "The Role of Proportion in the First-movement Expositions of W. A. Mozart's String Quintets." Revista Vórtex, Vol. 3, No. 1. Curitiba: Escola de Música e Belas Artes do Parana, 2014: 48-61. (ISSN: 2317-9937)

Sola Chagas Lima, Eduardo. "Uccellini's Sonata Ottava: Perspectives in Grouping, Meter and Metrical Dissonance." Revista Hodie, Vol. 14, No. 2. Goiania: Universidade Federal de Goiás, 2014: 199-212. (ISSN: 1676-3939)

Sola Chagas Lima, Eduardo. "Developmental synesthesia, perception, and performance: challenges and new directions in music education and research." Anais do XXV Congresso da Associação Nacional de Pós-Graduação e Pesquisa em Música. 2015

Sola Chagas Lima, Eduardo. "O maracá na sociedade Tupinambá: representações iconográficas e textuais quinhentistas." Anais 3º Congresso Brasileiro de Iconografia Musical. 2015: 297-316. (ISSN 2318-7026)

Sola Chagas Lima, Eduardo. "The maracá in the beginning of European contact: its role in Tupinambá society as a religious token and musical instrument." Revista Hodie, Vol. 15, No. 2. Goiania: Universidade Federal de Goiás, 2015. (ISSN: 1676-3939)

Sola Chagas Lima, Eduardo. "Music and ceremonial in Fernão Cadim's Letters." Revista Brasileira de Música. Vol. 29, No. 1. 2016: 103-123. (ISSN 0103-7595)

Sola Chagas Lima, Eduardo. “The Role of Concurrent Synesthetic Color in Tonal Music Improvisation.” Artecitta Synesthesia Journal, Vol.1, No.1, 2017.

 

Book

Sola Chagas Lima, Eduardo. O Menino e o Som. Rio de Janeiro: Editora Metanoia, 2014. (ISBN: 9788563439369)

 

Conference Papers

"Pietas Austriaca, Counter-reformation, and Sacred Music at the Habsburg Court." Historical Documentation Series. Koninklijk Conservatorium, The Hague, The Netherlands, December, 2011.

"Metrical dissonances in late baroque dance music: implications for the postwar 'early music' revival and current practice." Performing Early Music in the Age of Recordings: National Styles then and now. Israeli Conservatory of Music, Tel Aviv, Israel, 13-14 October 2014.

"Tonal Structure and Balance in 'Von deiner Güt', O Herr und Gott,' from J. Haydn's Die Schöpfung." Royal Music Association (RMA) Research Students' Conference. University of Bristol, England, 8-10 January 2015.

"Fear and Hope: Contemplating the Parousia in J. S. Bach's Church Cantatas." Annual meeting of the Society for Christian Scholarship in Music (SCSM). Emory University, Atlanta, Georgia, USA, 12-14 February 2015.

"O maracá na sociedade Tupinambá: representações iconográficas e textuais quinhentistas." 3º Congresso Brasileiro de Iconografia Musical. Universidade Federal da Bahia (UFBA), Salvador, Brazil, 20-24 July, 2015.

"Developmental synesthesia, perception, and performance: challenges and new directions in music education and research." XXV Congresso da Associação Nacional de Pós-Graduação e Pesquisa em Música (ANPPOM). Universidade Federal do Espírito Santo (UFES), Vitória, Brazil, 17-21 August, 2015.

"Cross-sensory experiences and the Enlightenment: in search of a place for music synesthesia." 38th National Conference of the Musicological Society of Australia (MSA). University of Sydney, Sydney, Australia, 1-4 October, 2015.

"Cross-sensory experiences and the Enlightenment: in search of a place for music synesthesia." 11th National Conference of the American Synesthesia Association (ASA). University of Miami, Miami, Florida, USA, 2-4 October, 2015.

"Handel and the notion of an orchestra leader." Handel and His Eighteenth-Century Performers, The Handel Institute. Foundling Museum/Open University, London, England, 21-22 November, 2015.

"Synesthetic incongruence and music perception in early stages of music education." United Kingdom Synesthesia Association, Synesthesia and Cross-Modal Perception Conference. Trinity College, Dublin, Ireland, 21-13 April, 2016.

“Sinestesia musical e inclusão no currículo educacional elementar: implicações para a flexibilidade e adaptabilidade curricular.” VI Semana de Educação Musical - Práticas Criativas na Educação Musical como Fator de Desenvolvimento Humano. Universidade Estadual de São Paulo, São Paulo, Brazil, 08-10 September, 2016.

“Developmental Synesthesia and Differentiated Education in the American Curriculum: A Historical Survey.” Andrews University Teaching and Learning Conference. Andrews University, Michigan, 30 March, 2017.

“Unidade Móvel de Esterilização e Educação em Saúde (UMEES): Estratégia Educacional em Guarda Responsável.” Universidade Federal do Parana, Curitiba, Brazil, 2017.

“Meter in “Esperando na Janela” (2000): A Glimpse into Hypermetric Shifts and Perception.” Folk Music Analysis Conference. University of Malaga, Malaga, Spain, 14-16 June, 2017.

“Developmental Synesthesia and Music Notation: Questions of Perception and Meaning.” Congresso Brasileiro de Iconografia Musical. Universidade Federal da Bahia, Salvador, Brazil, July 2017.

“Developmental Synesthesia and Tonal Music Improvisation.” Conference of the International Association of Synesthetes, Artists and Scientists (IASAS). University of California, Los Angeles (UCLA), United States, 19-20 October, 2017.

“Life and Death of Music as Education: a Philosophical Perspective.” Andrews University Teaching and Learning Conference (AUTLC). Andrews University, Michigan, United States, 30 March, 2018.

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